High School Musical a Hit in Indiana School 

Filed under: Entertainment on Monday, January 29th, 2007 by Entertainment Kids | No Comments

Wells Community Theater’s production of Disney’s High School Musical was so powerful and electric that director Kim Durr was sure cast members’ hair was standing on end.

After hundreds of hours of auditions, practices, blocking, and rehearsals, show time arrived on Friday, Jan. 26. The cast went through some notes with Durr, and then did some warm up exercises.

This reporter was fortunate to be a past of the cast, and spent the last few minutes before the curtain waiting stage left with my fellow “teachers,”  as MarkleBank President Greg Smitley made the opening remarks and introduced the show.

Smitley noted that the show royalties were paid for through a donation from the Wells County Foundation and how two other sponsors, MarkleBank and Dale and Huffman attorneys also made the production possible.

The show opens on a high energy level with the “Wildcat Cheer,” and “The Start of Something New,” and then somehow ratchets up the level even higher throughout the first act until the thunderous first act finale, “Stick to the Status Quo.”

Students in the cafeteria dance on tables and allow chaos to reign, as the boundaries between cliques are shattered and traditional roles are tested.

The show has some very funny moments, most involving the happenings in Drama Teacher Mrs. Darbus’s detention. You’ll discover how much depth and pain an earthworm can feel, and the tension between Durr’s Darbus character and the school’s basketball coach Jack Bolton is fun to watch.

Real life siblings Ti and Palmer Durr play the school’s over the top thespian stars, twins Sharpay and Ryan Evans. Both have a knack for physical comedy and are popular characters despite of or due to Sharpay’s scheming style.

The second act starts out slow and romantic, then poignant for the leads Troy Bolton (Erik Hall) and Gabriella Montez (Sonia Rodriguez) as their friends almost crush their dream and budding romance in one fell swoop.

This sets up one of the most powerful vocal performances you are likely to hear in Wells County for a while.

Rodriguez may not have made the cut after four rounds of American Idol tryouts in Minnesota but that was Idol’s loss and our gain.

The junior from Homestead High School’s rendition of, “When there was you and me,” always brings tears to my ears, and I can attest I was not alone. That song never fails to bring loud cheers and applause from the crowd, and is made even more powerful to the ensemble cast’s backing vocals.

File this under you heard it here first but we’ll hear more from Ms. Rodriguez in time.

The young lovers Troy and Gabriella get back on track and overcome more obstacles to succeed in all their dreams, and the audience delights in the whole journey.

Each of our first three performances had a different feel, and no two cast members truly agreed on all points. Friday’s opening night had a lot of energy, a sense of transition from practice to performance, and the usual bugs and jitters.

The cast found inspiration and the message of the show going on despite obstacles in the form of Abby Burgan, who plays the “brainiac” Kratnoff.

Burgan suffered a severe ankle sprain the day of the first show and instead of being crushed at her inability to do the show as blocked, her blocking was redone to put her on stage at times she would have entered elsewhere.

A determined Burgan pushed past the pain and danced her way through the closing finale, the megamix.

Durr said it was a great example of how the show must go on no matter what transpires.

Saturday’s show felt bumpy in some areas and smoother in others, and it’s funny to see what gets a laugh on one night, and on others falls on deaf ears. And again, that was my opinion.

I think if polled though most of the cast would say Sunday’s sellout show was the best so far. It was another night with high energy, a great crowd, and few problems.

Tickets are still available for all three shows this coming weekend and we can’t stress enough that the final performance on this coming Sunday will be finished in time to get home and watch the big game. This show breaks new ground in a few ways. It’s very contemporary and the Wells Community Theater’s production is one of the first chances to see High School Musical on stage anywhere.

It’s clean, family friendly and the score is infectious. It’s a chance to see Durr on stage and playing a role that hits pretty close to home. Mrs. Darbus may be a little more off the wall, but the two share a passion for the performing arts and for motivating their students to give their best performance possible.

Durr said she has found herself constantly slipping into Mrs. Darbus’s lyrical tone and for about a month she has answered alternatively to Kim Durr and Mrs. Darbus.

Entertainment Kids

Tags:

High School Musical - The Concert to go on tour 

Filed under: Entertainment, Kids Entertainment, Kids Concerts on Friday, December 8th, 2006 by Entertainment Kids | No Comments

The Disney Channel`s ‘High School Musical’ has already conquered TV and music, and now it is expanding to yet another medium. The film`s cast kicked off a full-scale North American tour Nov. 29 at San Diego`s ipayOne Center, and nearly every show has sold out in advance, according to AEG Live senior vice president Debra Rathwell, whose company is producing the 40-city trek.

The ‘High School Musical’ soundtrack has been the top seller of 2006 so far, having shifted 3.3 million copies in the United States, according to Nielsen SoundScan. As such, it was no surprise the ipayOne Center was “staffing up opening night as big as we`ve ever staffed for merchandise,” GM Ernie Hahn says.

High School Musical: The Concert was booked by Creative Artist Agency`s Jeff Frasco, who also booked fellow Disney act the Cheetah Girls` current arena jaunt. He says Disney has recently found a profitable synergy among its TV network, record company and radio station.

Those tools will all be used to promote the High School Musical tour, says Chip McLean, senior vice president of business development/business affairs at Buena Vista Music Group. The company teamed with the Disney Channel to produce a ‘Disney 365′ promotional program featuring the cast rehearsing for the tour, which will air in early December. “It`s a program largely based on letting people know we`ve got the tour coming to their town,” he says.

The Disney Channel is working with TV affiliates in local markets for tour contests and promos, he adds.

AEG Live is also tapping into Disney`s promotional arms to market the tour, for which tickets range from $35 to $55. And while the target audience is 6- to 14-year-olds, newspaper ads are being utilized to draw in parents who could also potentially attend, Rathwell says.

Entertainment Kids

Tags:

About High School Muscial 

Filed under: Entertainment, Kids Entertainment, Kids Concerts on Friday, December 8th, 2006 by Entertainment Kids | No Comments

About High School Muscial 
The runaway success of Disney Channel’s “High School Musical,” the sound track of which has hit the No. 1 spot on the Billboard pop-music charts twice this year on its way to going triple platinum, has renewed interest in the “Dreamgirls”-style teen musical genre — and among the musical productions benefiting is
“In Your Dreams,” a musical written and produced by Miramax-linked screenwriter Zeke Farrow and scored by Lucian Piane.

inyourdreamsthemusical.com/

‘When the $4 million budget ‘High School Musical’ debuted on the Disney Channel on Jan. 20 of this year, it drew nearly eight million viewers, making it the top-rated basic-cable TV show that week,” says Farrow, who also co-wrote the award-winning indie feature “Slo-Mo.” ‘My phone was ringing off the hook and my e-mail box was flooded with queries — is yours next?” says Farrow. ‘I’m hopeful that it is — especially as ‘High School Musical’ is now a $300 million worldwide franchise.”

“Everyone told me I was crazy for writing a high school musical,” Farrow admits. “But it turns out my timing was perfect. And who doesn’t like to tell their agent, ‘I told you so!’”

Like “High School Musical,” which was seen by 32 million viewers ages six to 14 in its first 10 American cable screenings, Farrow and Piane’s “Dreamgirl”-style “In Your Dreams” is a large scale, splashy, teen musical — with a dash of political satire. It centers around Helen, a 17-year-old girl who appears in three different incarnations, Black, Pink, and Blue.

The musical opens with the bizarre introduction of Black Helen, a girl tortured by fellow students Melanie and Jordanna and secretly in love with Jared. We quickly learn that Black Helen is but a dream and as she fades and Pink Helen wakes up, we realize that Pink Helen’s life is a perfect, bubble gum musical. She is popular, she’s dating Jared, she has high hopes for a perfect day. And today is the day to beat all days. It is prom, and Helen is a front runner to win prom queen’until she learns that the “Popular Girls Caucus” has turned against her — and is even stuffing the ballot box to engineer her defeat!

“There’s a little bit of political satire in the musical, to keep the older audience intrigued,” admits Farrow.

According to many, the themes and music of “In Your Dreams” compare favorably those of “Fame,” “Dreamgirls,” “Hairspray,” and even “Welcome Back, Kotter” — but may cleave most closely to the smash Disney hit “High School Musical,” which, since premiering on the Disney Channel in the U.S. earlier this year, has become nothing short of a phenomenon, setting records around the world.

“Not since ‘Fame’ or ‘Grease,’ ‘Dreamgirls’ or ‘Hairspray’ has a musical had such impact,” says Farrow. “Like my own musical, ‘High School Musical’ is rollicking and squeaky-clean, geared for a young and lucrative audience.” “‘Hairspray” will be released as an Adam Shankman-directed film in the summer of 2007, Farrow notes.

Worldwide, Disney’s cable-only “High School Musical” has now been seen by over 40 million people, and it has earned a Guinness World Record for the most successful songs from a song track — despite being produced on a $4 million production budget. With its popular songs and frenzied toe-tapping, “High School Musical” has become the most popular Disney Channel movie ever, says Farrow. “And we anticipate the same bright future for our own teen musical, ‘In Your Dreams.’”

Directed by the man behind “Dirty Dancing,” “High School Musical” took America by storm, landing six Emmy nominations, and is anticipated to do the same in the U.K. Says Farrow: ‘It kept singer James Blunt off the top of the U.S. album charts, outsold ‘Saturday Night Fever,’ and has become the biggest selling television soundtrack since the ’80s hit ‘Miami Vice.’”

What is helping to fuel the “In Your Dreams” express is the fact that “In Your Dreams’” 13 songs have already been professionally recorded on a CD with performances by a number of top Broadway singers, including Drama Desk-nominated Leslie Kritzer, “Legally Blond’s” Laura Bell Bundy, “Les Miserable’s” Jodie Langel, “Little Shop of Horror’s” Kerry Butler, “Thoroughly Modern Millie’s” Gavin Creel, “Hairspray’s” Jackie Hoffman, ‘The Full Monty’s” Sloan Just, and Anika Larsen, Danny Rocket and Anthony Rapp from ‘Rent.” The CD includes songs such as “Better than Dreams,” “When You’re the Queen,” “Put the I in Team,” and “I Was Born to Reign.”

“What the success of the $4 million budget ‘High School Musical’ has demonstrated once and for all is the fact that there is a place for wholesomeness in the teen entertainment industry,” says Farrow. Farrow points to recent comments by Naomi Wolf, whose feminist work, ‘The Beauty Myth,’ launched her to fame, made in a recent essay for the New York Times to the effect that today’s entertainment for teens ‘packages corruption with a cute overlay.”

Says Farrow: “As Wolf wrote: ‘The problem is a value system in which meanness rules, parents check out, conformity is everything and stressed-out adult values are presumed to be meaningful to teenagers.’ But as the success of Gary Marsh and Disney’s “High School Musical'’ demonstrates, there is definitely a huge audience — let’s call it ‘Flyoverland,’ a land between New York and Los Angeles — that is searching for meaningful entertainment with a positive as opposed to a slutty message.”

And that’s not a small market by any means, says Farrow. Between 1990 and 2000, the number of youths between ages 12 and 19 climbed to 32.4 million in the United States, an increase of 4.5 million, according to a survey by Media Mark Research last year using U.S. Census data. The 12-19 year old market currently spends $170 billion a year on entertainment products, including movies. ‘There’s obviously room for a wide range of value systems to succeed in this $170 billion marketplace.

Entertainment Kids

Tags: